Tag: write what you know

  • Tell Me Your Secrets

    The older I get, the more a particular piece of advice begins to resonate with me. It’s that well-worn writing chestnut: “Write what you know.”

    I honestly have no idea who first said this, and I don’t have a clue as to the context in which it’s meant to be taken. All I can tell you is what it means to me, or what it has come to mean to me, which is maybe the same thing but still feels a little different in my mind.

    Whenever I hear “write what you know,” I immediately think open your diary. Not that I have such a book. Nor is its cover adorned with winged unicorns. And no, it doesn’t feature a gold-filigreed lock that responds to a single key which I wear around my neck night and day. That would be ridiculous, and I am a serious sort of man. Seriously!

    Getting back to the point, opening your diary means putting yourself in your stories. It doesn’t matter what genre you write or when and where your story is set, you’re going to be dealing with characters and situations about which you have an opinion. What better place to tell people what you think.

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  • My Macabre Mentor

    After Ray Bradbury died, I wrote a blog for my personal website about how I have never had a real mentor when it comes to writing. My original writing instructors were too early in my development to be much of a use as serious mentors. My peers in the community are generally around the same level as writers. As such, I have gotten advice about particular bits of particular stories, but not so much about writing in general.

    Most of the advice I have gotten about writing has been gleaned from quotes and books from famous authors. I read a lot of writing books. I read a lot of essays. I read internet blogs, forums, commentaries, and anything else I can find on the craft of writing. That has been my writing education. That is why people like Bradbury are so important to me.

    As such, it is difficult to come to a decision regarding the best and worst advice I have received. I will have to go with the best and worst tips I have come across.

    In some ways, I am torn by writing influences. I am heavily influenced by classics and literary fiction. However, the horror genre has also been a big influence on me. Stephen King gets a bad rap as a writer. If you haven’t read On Writing, there is no time like the present. King has a great blue collar work ethic behind his writing that really speaks to me. Look at the numbers.  King has written forty-nine novels, nine short story collections, and five non-fiction books since 1973.  That is an amazing amount of work output. He hasn’t needed the money in decades. He must work because he loves it. I think some of his work is underrated because it is popular and there is so much of it. (more…)

  • Interdisciplinary Love Song

    “People are inclined to say I am Ramona. I’m not sure that’s true, but I did share some experiences with her.” – Beverly Cleary

    If you are a writer, you have heard the saying, “Write what you know.” With all due respect, that is hogwash. What if you don’t know about something? Does that mean you can’t write about it? That seems unnecessarily limiting for a craft that is about constant evolution and experimentation.

    I have always preferred John Gardner’s concept. Write in the style that you love. If you love science fiction, write it. If you love fantasy, write it. If you, like me, love a variety of styles, you will find yourself writing in many different ways.

    I refuse to be confined by what I know. Instead, I liberate myself with learning. It isn’t difficult to pick up enough about any subject matter to give your writing a sense of authority. You don’t need to be able to write a dissertation on molecular physics to have a physicist appear in your story.

    I am an artist, not a scientist. It’s a waste of time to become an expert in pointless things when I could be practicing my craft, which is writing. All I need is enough spice to make the story taste real.

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  • Worry Wart

    I write about things that worry me.

    When I think about the stories I’ve written over the years, the common theme is:

    • Flawed characters
    • Struggling to overcome a societal issue
      • usually caused by overreliance or abuse of technology
      • sometimes caused by scientific hubris
      • often compounded by environmental collapse
      • often a result of overcrowding and/or overuse of natural resources

    Why do I write stories that deal with these types of issues? Because these questions and concerns are the ones that plague me every day. How can humankind sustain itself given the rapid depletion of natural resources we’re currently experiencing? Can technology provide solutions? If so, can it do so quickly enough to halt or reverse the damage we’ve done already? And will there be unintended consequences to our corrective actions? As a teacher of technology, I’m constantly bombarded by the wonderful advancements we’re making in science and industry. I’m also constantly struck by how much harm many of those advancements can cause, either directly or tangentially. And it worries me.

    I love science fiction, and one of the major reasons why is that, as an author, I can choose to answer the questions above any way I see fit. I can (and usually do) choose to provide salvation for my characters and the planet on which they reside – a light at the end of the tunnel. Usually that light is much too faint for my characters to see at the beginning of their journey, hidden in the far distance behind many twists and turns. And more often than not when they return from their subterranean adventures, blinking and confused, they’re nowhere near where they expected to be. But sometimes, just making it back to the surface and breathing fresh air again is enough.

    Because, frankly, sometimes I feel like the real world’s not going to be so lucky.

    As for whether or not any particular people I know make it into my stories, the short answer is: sure. Not exact copies, but caricatures of friends, family, and coworkers sneak into my stories all the time. More telling is that my protagonists are almost always some shade of myself. Given that my main characters are often trying to save the world from imminent destruction, who wouldn’t want to be cast in that role, at least in some small part? I’m guessing that’s true of most authors, and authors that deny it aren’t being completely truthful.

    So, returning to a common writing mantra: I write what I know. What I know is what worries me, how I feel about it, and what I wish I could do about it. That’s what (and why) I write.