Tag: sympathy

  • Truth Hurts, but It’s Worth It

    Stories like this are tricky. Ultimately, they’re subjective. All I can do is lay out the events as I see them, and you have to understand that I’m giving you a single point of view. This is my own admittedly biased experience, and others in this tale could take exception to my interpretation. Be that as it may, this is the event that I feel has done the most to shape me into the writer I am today.

    Growing up, my brothers and I hit the daily double of childhood. We were both rural and poor, and from an early age we were taught to distrust authority. Most of our conversations with non-related adults consisted of the following phrases: “I don’t know,” and “they’re not here right now.” The tenants of our family were simple and observed like dogma: support it, defend it, and keep everything in house.

    If you weren’t blood, our affairs were none of your damned business, and marrying in didn’t necessarily afford you with a right to know.

    As a child, this sort of fierce loyalty appealed to me, and I saw something noble and good in its application. My brothers and I belonged to something greater than ourselves, and we thought it was something worth defending. I no longer feel that way.

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  • Active vs. Passive

    Some of the most common advice fledgling writers receive is: use active voice not passive voice. By using active voice, sentences become clearer, verbs become more powerful, and the overall writing style gains energy and forward momentum. It’s excellent advice, and something I constantly work on while writing. It is not, however, the advice I’m about to share in this post. Seriously, if your 5th grade creative writing teacher didn’t teach you about active vs. passive voice, then creative writing is not for you.

    The best advice I’ve ever received regarding writing fiction is related to active versus passive voice. The scope of the advice is just a bit…broader. One very astute reviewer of one of my rough drafts noted, “You never let your protagonist make her own decisions.”

    This probably sounds obvious to many people. But for me, it was not. Or rather, I didn’t realize that I was not letting my main character make her own decisions until I received this comment. I read back through my current manuscript, and then, dismayed, read some of my earlier manuscripts as well. Sure enough, my protagonists were not decision-makers.

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