Tag: rejection

  • It Starts with an F

    Did I ask for your opinion? No? Then why the hell are you giving it to me?

    I handle unwanted critiques very poorly. I take them as personal attacks on my person. It doesn’t matter what the critique is about, if I didn’t ask for your opinion, don’t share it with me.  Unless you’re telling me that I’m awesome, then by all means, please continue.

    “I’m sorry that you feel that way,” is my frequent response when somebody criticizes one of my creative endeavors, especially when it’s in the early phases and I didn’t ask for an opinion.

    I’m a bit more gracious–with most people–when it comes to critiques that I’ve asked for. Usually with my writing if it is being critiqued it’s because I sent it to somebody and asked for their opinions. I want them to tell me what they liked. But even more importantly I want them to tell me what they didn’t like. But don’t tell me you didn’t like something if you’re not prepared to tell me why it didn’t work for you. Because otherwise it will go right back to feeling like an attack on my baby and therefore also on me. (more…)

  • Can I be wrong?

    There’s no doubt that criticism is important. It’s how we improve ourselves. And while it sucks, dealing with rejection is something that everyone will have to deal with at some point. How I respond to these things depends on one very important thing: do I agree with what I’m being told?

    No one is harder on me then myself. Chances are, any criticism someone has of me or my work has already been considered, gone over four times, and either accepted or rejected. When someone poses a criticism that I agree with, I will kindly listen and nod my head in assent. In my mind I have already acknowledged the criticism, and am working on ways to fix it.
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  • Consider the Source

    Critique and rejection are two entirely different things, though one can sometimes accompany the other. If you’re broadcasting your work in any sort of way, you’ll inevitably encounter both. As you do, it’s important to consider both the message (the reason behind the critique or rejection) and the messenger (the person providing the feedback).

    Not all critiques are created equal. Sometimes you will find yourself in a group with writers of varying skill levels, and there may be times when you are encouraged to swap pages with people whom you know you can flat out write circles around. That’s not arrogance. That’s honesty.

    As I mentioned in a previous post, if you’re the one providing feedback, you should take into account the abilities of the author of the work you’re critiquing. Not everyone is ready for the same level of discourse.

    The same goes when you’re the one receiving the critique. Sometimes an author who is early in his or her writing journey will not be very good at assessing another person’s work. Inevitably there are long discussions about word choice or the comma police have made your manuscript look like a crime scene. Sometimes the inexperienced author “just didn’t get” what you were trying to do or say and they will be inadvertently harsh in their criticisms, without any specific reasons for why they didn’t like it.

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  • Three Rules for Surviving Rejection

    By this point in your life, you know that rejection hurts. Criticism hurts. No matter how tough you are or how much you try to shrug it off, it is going to hurt. Everyone will say it isn’t personal. But it is your writing. You created it, a product of your conscious and subconscious. What could be more personal, short of someone calling your baby ugly?

    It is going to hurt. But that is okay. Rejection and criticism are just pain. If you workout or practice any sport, you know that pain makes you stronger. It makes you better. You learn from it. Pain teaches you quickly and efficiently. When you get rejected, when you feel the bite of criticism, just remember “pain is weakness leaving the body.”

    That cliché, used in a variety of sports, is a good thing to remember when you are submitting your writing for critique or publication. Building a tolerance to rejection and criticism allows you to create a distance between you and your writing. Don’t get me wrong, it is a small distance, similar to sitting on opposite ends of the couch with your writing rather than whispering sweet nothings to it just prior to copping a feel. It is a healthy distance, one that allows you to think of the work rather than yourself. (more…)

  • I Hope You Like It… (Week of March 3)

    www.seomix.fr The hardest part of a writer’s life is maybe, just maybe, is putting one’s work out for others to read and give feedback. There are some anxious, hand-wringing moments when a writer is sure that exposure as a fraud is imminent, when that trusted friend may come back and suggest that the writer give it up and keep the day job.

    It’s not those comments that are the most worrisome, though. Perhaps the comments that say “it’s good but…” or “I liked it but…” are the hardest to take. ‘But’ is a deflating kind of word, isn’t it?

    Well, our writers this week are going to tell us about handling critiques and rejections. They’ve got their coffee, the stage is lit and the mic is open. Pull up a chair here and our servers will be circulating, ready to take your orders.