Tag: process

  • On Using NaNoWriMo as Intended

    Welcome to the dawn of day four (of NaNoWriMo), and a new liveblogger! (Not new. You know me. I’ve been here forever.) Since you haven’t met my novel yet, let me start you off there:

    NaNoWriMo 2015, "The Departed Daugther," Ashley Hill
    I just really wanted to write about twilight sleep.

    There are a lot of things to say about the challenges of writing a story set in 1914 in a city I’ve never visited, but I think we’ll come to that next week. This week, let’s talk about what I really hope to get from this month.

    My goal this year has been developing a less frantic process, and that really culminates for me here during NaNo. In years past, I’d write and write and write until I was exhausted — and I’d be fried by the end of November. I wouldn’t work on anything for months, and tended to spend the rest of year poking my writing at a plodding pace. I’d say I had no ideas, and just resign myself to only being a NaNoWriMo writer.

    Two things are different about this year for me.

    The first was that I submitted a short story to a magazine and subsequently had my first short story published this summer. While I didn’t instantaneously become Ashley M. Hill, Extremely Serious Author, I did find myself thinking, Hey, maybe people could actually like what I write. So I’ve started to be tiny amount more serious with myself.

    The second was that I started keeping a checklist of my ideas when I had them. I use Google Keep, so that I have one note that is my checklist, and then write any additional notes in a different note when necessary. And as it turns out, I have a lot of ideas. They’re not all novel ideas, but they’re all stories to be told.

    I just have to get into the habit of telling them.

    So this year I’m working on writing to a logical stopping point, and then stopping when it feels right. Instead of forcing myself to keep going further and harder, I save my progress, log my word count, and do one of the many other tasks that fill my evenings. I have a lot of things to do with my day-to-day life. I have to make sure my son is taken care of half of the time. I need to meet my other, non-writing goals. Sometimes I want to read. My boyfriend recently bought me Don’t Starve for the PS3, and I need time to enjoy that.

    If I can do all of that stuff and only lose my mind once in a while, I can also find time to write.

    The teal deer version — I’m doing with NaNoWriMo this year what Chris Baty intended: finding out how being a writer can fit into my life filled with social stuff, family stuff, and a day job.

    (P.S. My stats are fine, if unremarkable. I ended day one with a buffer, and have written ~1600 words each day since, so I’m staying just ahead of the curve. I’m usually at about 1.25 par for the day.)

  • NaNoWriMo #6 part two

    2013-Participant-Square-ButtonI was supposed to post this yesterday but things conspired to help me forget. Nothing bad, though, just life which gets in the way of everything that needs to be done, right?

    At the beginning of this I set a daily word count goal of 2000 per day and as an average I’ve hit that. However there’ve been a couple of days when I didn’t make that mark. Luckily there’ve been several days when I far exceeded that mark and thus I’m at 21,767 words in nine days. Not too shabby, eh?

    Yesterday, instead of posting here as I was supposed to, I wrote over 3100 words which made up for one day where I only wrote 1300 and one day I wrote 1700 plus a little extra. At the end of the day I checked my progress this year versus the last couple of years and I’m on pace, or just a little behind, where I’ve been. The conclusion I came to is that when I’m in NaNoWriMo, blasting away at the story that will eventually be shaped by revision, rewrite and rethinking into a novel, I’m pretty consistent.

    So that’s the process part of where I’m at this year. How about the story? I can hear one of you ask. (more…)

  • Entertain Yourself. The Others Can Wait.

    I think a lot of writers hate themselves, at least a little. We desperately want to have someone look at our writing and tell us that it’s good, that they want to publish it, and that we are worthy of the career we’ve been pursuing. We want readers and respect and most of all, validation.

    But every writer I know, at least the ones who are apprenticing the hell out of their work and constantly trying to get better, also have this fear that they don’t measure up. That they probably never will. And in their quiet time, when no one’s around, they wonder if they should just stop. If they should finally let go of the writing and the dream and everything else that goes with it. Because belief is hard and the signs of failure are everywhere.

    Not being able to believe in ourselves prevents us from believing in our work, and this is why many of us never think our stories or novels or screenplays are ready to see the light of day. For all the self-naysayers among us, I have two words for you: shut up. Your head’s in a dangerous place and you’re being self-destructive.  You aren’t preventing rejection. You’re guaranteeing a lack of success.

    It’s time to stop hating on your stories. Write something you like. Write something you would want to read. Tell a story that amuses or haunts or titillates you. Work on making it the best you know how, and then let it go. Send it out into the world, and move on to the next thing. There should always be a next thing.

    When it comes to my own writing, I try to make myself smile. It’s hard to laugh at your own jokes as you’re writing them, but if I do manage to pull it off, I know there’s a good chance I’ve got something good. Sometimes it’s a story. Other times it’s a chapter. I will even admit that I spent the better part of the day chuckling at a one-liner I slipped into scene.

    I realize there’s a chance that my audience could eventually end up just being me. That thought is almost enough to make me want to walk away from the keyboard altogether, but I try not to. Most days I succeed. But when I make myself laugh, I’m having a good time, and it’s a good day. And when other people laugh along with me, well … that’s just about as sweet as it gets.

  • Character development

    In the past – say around Dickens’ time – often writers would employ the clunky technique of establishing characters by stopping the story and then describing a character in detail: clothing, shape of brow, past indiscretions, jaw shape, blemishes, the whole bit. Characters were doomed to their roles from the start by birthmarks, the shape of their heads, club feet, curly hair, a “laughing mouth” – both negative and positive visual descriptors chosen by authors to pre-dispose their characters.

    Of course, that method was passé when Hemingway started his writing career in the 1920’s and thoroughly obsolete within another ten years as authors realized that stories should be developed by characters who reacted to forces around them and revealed their true natures as the story progressed.

    (more…)

  • Panning for Gold in the Dark

    A couple of weeks back the fabulous Confabulators weighed in on where their writing ideas come from.  I may backtrack a bit over some of that territory, because where they come from seems to be connected to the ideas I end up pursuing past the ‘idea’ stage.

    Looking back on the thousands of words I’ve written, I sort of see this pattern: for a novel or short story, what usually what gets me going, and keeps me engaged, is something I’m struggling to understand in my own life.

    For example:

    ~The aftermath of the unexplained death of my father became a short story about the changing relationship of two brothers, as one pulls away from what’s left of his family.

    ~Trying to understand marriage became a novel exploring the lives of a girl traded into white slavery and a man raised in the 1960’s “who did everything right and failed.”

    ~The idea of refuge and the families we make became a novel about the friendships between gay theater kids in college and their circle of friends (‘Fame meets Boogie Nights’.)

    ~Addiction, the allure of escapism, and personal betrayals (both perpetrated and experienced) became a book about a young girl’s search for her birth parents in an alternate reality. (more…)