Tag: large cast

  • Crowd Noise

    Don’t let them all talk at once.

    Writing a story with a large cast of characters can be tricky. My books tend to have a large cast, and with each progression in the series, the cast gets bigger.

    Book three, especially, has become a little out of hand, but that’s a major plot point, so whittling down the number of people/creatures would erase the entire point. I’ve had to make peace with the fact that it might get a little overwhelming for the reader in the first few chapters, simply because it must become overwhelming to my main character. The plot sort of revolves around it.

    But that’s not the normal way I go about handling a large cast. In previous books, and even in a few short stories I’ve written, I’ve had to use a few tricks to keep everyone in line.

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  • Keep the Cast Small, With an Ax if Necessary

    Nobody ever told me I was supposed to have a large cast of characters! This is actually something I have a bit of trouble with managing. In short works I tend to limit my characters to a central protagonist and a few sidekicks. I mean… side characters. Depending on the length of the piece, my story might not actually have more than two characters. Sometimes more characters are mentioned in passing, but not always.

    Even in my novel, I tried to limit the number of important characters my viewpoint character interacts with. I’ve found that writing in first person really allows me to get inside my protagonist’s head and allow her opinions and views of the other characters to color how they are presented to the audience.  She has very distinctive opinions about different characters, and I hope that those opinions allow them to become more memorable. (more…)

  • Too Many D*cks on the Dance Floor: Doing More with Less

    In my own writing, I don’t usually work with a large cast of characters. I like simple stories that are more or less stripped down to their bare essentials. Whenever I write a scene that has more than two characters, I tend to get worried about whether or not everyone is getting equal billing.

    Has the third wheel gotten enough lines? Do they even have anything to add at this point? Will the reader wonder where they’ve gone if I don’t mention them soon? It’s a point of stress for me that I try to avoid whenever I can.

    That being said, I see absolutely no reason I can’t offer you advice on the topic. Just think about it like someone with agoraphobia giving you tips on how to enjoy the great outdoors. At the very least, it could be entertaining. And, really, what else do you have to do for the next five minutes?

    (Most likely the answer is a lot of other things, but for now let’s pretend your schedule’s wide open.) So buckle up. Here we go.

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