Tag: self-publishing

  • Self-publishing: Success or stigma?

    “I don’t care to belong to any club that will have me as a member.” ~ Groucho Marx

    Self-publishingThe publishing industry is having problems. Some say the publishing model is broken. Others say the industry is in flux. Writers are questioning the role of the traditional publishing house in a digital world.  Now, more writers are opting out of traditional publishing and exploring self-publishing.

    E-book devices like the Amazon Kindle and the Barnes & Noble Nook have made it easier than ever to get self-published works into the hands of readers. For some, it’s a potential revenue stream for long out-of-print books. For others, it’s an opportunity to sell directly to consumers without an agent or publisher taking a cut of the profits.

    It’s all so confusing now. Traditional publishers require agented submissions. Digital publishers are more accessible, and many don’t require agents to submit a work for you.

    In self-publishing, an author writes, formats, and publishes a manuscript in a digital format (Kindle, ePub, or even PDF) and makes the work available on the Internet. Digital self-publishing requires no agent, no publisher, and no bookstore.

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  • Letting Lunatics Loose

    “Writers are the lunatic fringe of publishing.” – Judith Rossner

    In this digital world, self-publishing has become a very real alternative to the traditional publishing route.  In fact, I would go so far as to say that for some people, self publishing in a digital format may be more profitable than traditional publishing.

    For example, it is entirely possible that your share of the royalties on a book you publish yourself on Kindle may be greater than for a print book that you get published through a publishing house or agent.  That being said, I don’t think I would go that route if I had other options, unless I already had the sort of fan base that can provide a writer with a living.

    The benefit of self-publishing is total control.  No one else is telling you what your art is supposed to mean, or how you should go about writing.  No one is droning on about how your characters aren’t likable or your scenes don’t work, or they simply don’t get it.

    The downside is much the same.  No one is telling you that your writing is crap and you really need to work on it before publication, no matter how married you are to that metaphor in Chapter 6.

    My belief is that if you are going the self-publishing route, you had better have a support group that includes very talented, very experienced editors.  Otherwise, hire a professional to take a look at it and tell you what is missing, where you have gone wrong, and what changes you might consider.

    You can’t do it all yourself.  You are too close.  There are too many things going on in your brain that aren’t on the paper.  What makes total sense to you may seem foreign to anyone less psychic than Sylvester Stallone’s mom.

    I’ve read a couple of self-published books, and the results are mixed.  Personally, I’m not willing to put my name on something that I don’t know for sure is ready.  In fact, I would rather have other people tell me it is ready.  When it comes to my work and other people reading it, I don’t like taking chances.

    It is my name, and my reputation that is on the line when someone sits down to read something written by Jack Campbell, Jr.  However, I really like the feeling that someone else believes in what I’ve written as much as I do.

    There may come a day when I go the self-published route, but not without the helpful advice of several talented friends.

  • Self-Publishing (Week of 13 February 2012)

    The rush times in the cafe are noisy with lots of cups and saucers clinking against one another, people chatting amiably across their open laptops or with someone on Skype. Then there’s the hiss and whoosh of the steam wands stretching the milk for those of us who want something hot; a latte or chai or a combination of mocha and chai. (Try it, it’s luscious.) These times are when subjects range wide from the sometimes personal to the broadly general and even political.

    This week we’re discussing self-publishing, the topic that can inflame authors and readers alike. Everyone here has a thought or two on the subject of quality, quantity, availability and even whether or not it’s for them. So come on in, we’ve got your table right here. Get comfortable, order something to drink and read up on what we think. It promises to be enlightening.