Author: barista

  • Do you use substances to help with your writing?

    Artists are often associated with having horrible addictions to drugs and alcohol. Sadly, writers are no exception. We’ve got alcoholics and drug abusers (and even rumors of a particular horror writer drinking mouthwash) amongst our peers, so the big question that sometimes comes up is do artists have to have a substance abuse problem to be good at their art? This week we asked what substances our Confabulators need in order to write. Here’s what we admitted to, at least.

    Paul Swearingen

    I can’t say I’ve every used anything to enhance my writing, except a memory that goes back before the age of three. Any substances that I ingest are more for relief of physical twinges – tea or some kind of fruit drink over crushed ice, rice snack cakes, an apple cut into eighths and dusted with cinnamon, a couple of sections of dark chocolate. Never alcohol or any drugs, even aspirin. I need all my sense at 100% efficiency when I’m creating.

    Amanda Jaquays

    I am not pleasant to be around if I haven’t met my caffeine and sugar quota for the day. So, while it doesn’t necessarily help me write better, having coffee or Mountain Dew keeps me from snapping my laptop in half and throwing the pieces across the room in a Hulk-like rage.

    Jason Arnett

    When I was a bass player running around town trying to make it in an industry as fickle as music, I would sometimes play under the influence of beer. My performances then were always okay, not great. I did much better with just one beer in me before we went on. I never felt in control. By the same token, I don’t often work at writing under the influence of alcohol. Everyone who knows me (and now you, dear readers) know that I’m a whisky drinker. Scotch. Bourbon. Depends on my mood. Generally I don’t drink while I’m writing unless I’m drafting a long work. The writing while drinking is okay but not great. It’s pretty easy to tell when I’ve been drinking and writing. Now coffee, coffee’s another matter entirely.

    Ashley M. Poland

    When writing, I’ll drink coffee. Often too much, to the point that I start get twitchy.That’s fairly normal, I think. I am a social drinker — often an embarrassingly excessive social drinker — but I can’t write while drunk. I’m clumsy when drunk, and my netbook keyboard can’t take that. Also: after the loud part is over I stumble pretty quickly into sleeping.

    Sara Lundberg

    I don’t necessarily need anything to enhance my writing ability, but the words flow more easily if I can relax with a glass of wine or pep myself up with a delicious espresso beverage. I left the harder drug experimentation behind way back in my college days, but I honestly don’t think any of that would have been even remotely helpful to my writing. Probably detrimental, if anything.

    Kevin Wohler

    I’ve alway said that I have enough wrong with my body without messing up the wiring in my brain. For that reason, I’ve never taken drugs of the recreational variety and only moderately imbibed alcohol (except a rare night or two in my youth). The times I’ve been heavily medicated on doctors’ orders, I’ve had weird nightmarish dreams — but no good fodder for writing. To get the gates open and find my muse, I rely on relaxation and music.

    Jack Campbell, Jr.

    I don’t like the feeling of being drunk, and I feel a revulsion towards recreational and even pharmaceutical drugs. I will drink, never more than one or two drinks, and rarely when writing. I’ll drink a lot of coffee during the day, but a lot of my writing is done in the evening or at night. I never saw the point of it all. I like being able to think clearly and experience the story fully.

  • Quitters Anonymous (Week Ending August 11)

    Writing can be a frustrating profession. Whether doing it for love or money, whether trying to get published or not, sometimes writers get exasperated and wonder if it’s all worth it. Rejection letters don’t help. Neither do poor sales for those who get published.

    So this week, we asked the writers at the Confabulator Cafe whether or not they have ever thought of chucking it all. We’re not trying to be discouraging to the burgeoning writers who visit our site. We just think the question is a relative part of a writer’s life and needed to be discussed.

    What about you? Have you ever considered walking away from the writer’s life? What kept you from doing so? Have you quit? If so, what made you come back? Let us know in the comments below.

    Until next week,

    The Cafe Management

  • Where and when would your own manor be?

    Over the last week, we introduced you to Straeon Manor – the mansion that the Confabulators adopted to tell our stories in. It exists in an as of yet undisclosed location stretching a vague number of years in history and future. We all have our own ideas about the perfect time and place to have a manor of our very own, and below you will find out where (and when) each Confabulator would have theirs.

    Christie Holland

    I’ve always been a big fan of this time period, personally.  But if I had to choose another place/time, as long as I didn’t have to live there permanently, I’d choose London, 1599.  I’d die to see Shakespeare’s plays performed in the original Globe Theatre as they were being written.  Also, I think it’d be incredibly interesting to see how other people react to them.  I know we think Shakespeare’s a big deal, but did they?

    Jason Arnett

    I’ve always fancied myself living in a country manor house in the 1920s, not far from a major city like New York or Chicago or Atlanta or New Orleans. A big, rambling place that one can open the windows in during the dog days of summer and the wind will still blow through, cooling as much as it could. The kind of place where there’s lots of woodwork, perhaps a secret passage, too; where I’d have to have a large staff to help maintain and run the place. I’d have parties to rival Scott and Zelda Fitzgerald, too.

    Amanda Jaquays

    I’ve designed many “dream houses” in my head, and they typically all end up being manor or castle-ish. That being said, I’ve never really thought an actual place this would exist. It has always been a misty floating location. Somewhere in the middle of nowhere with trees and possibly a river, and most importantly… an amazing Internet connection. That last requirement rules out some of my favorite eras, since the Internet wasn’t around during the reigns of Caesar or Queen Victoria. So most likely, my manor would be in a contemporary time or maybe the future.

    Paul Swearingen

    I’ve decided that my dream location would be somewhere on the edge of the Flint Hills, on top of a gently-rising, breezy hill, so I could see 100% of the sky at night and approaching tornadoes during the day. It would be surrounded by trees to shade and cool it in the summer, and then cultivated fields to scent it in the spring and provide something for the breezes to rustle in the fall.

    Ashley M. Poland

    I don’t even think I want a manor — I can’t even keep an apartment in order. But I could see a modern manor just a little bit in the country. Not so far that driving to town is a trip, but far enough that naked hot-tubbing isn’t weird.

    Sara Lundberg

    I’d prefer a castle in Ireland overlooking emerald green hills and crystal blue seas, myself. Any time except the years surrounding and during the potato famine, though. Not a fun time for anyone.

    Kevin Wohler

    My dream manor would be in Northern California overlooking the Pacific Ocean. Other than Kansas, it’s the only place I’ve ever felt 100% at peace. Because I’m reliant on too many modern technologies, I wouldn’t live in the past (although it’s tempting to say the 1920s). With industrialization and problems with the environment, the present isn’t so keen either. I guess I’ll settle for some indeterminate time in the future, when humanity and nature co-exist in harmony.

    Jack Campbell, Jr.

    I would not have a manor anywhere. I have a general distrust of manors thanks to Algernon Blackwood, Shirley Jackson, Richard Matheson, Stephen King, and countless other writers who have shown me that owning a manor in any time or place is never going to end well.

  • Whispers from Straeon Manor (Week Ending August 4)

    This week, we’re trying something new at the Cafe for our monthly confabulation. Instead of merely giving our writers a prompt for their usual flash fiction of 1,000 words, we decided to really challenge them to do something grand.

    Straeon Manor at the Confabulator CafeWelcome to Straeon Manor. Together, our writers are building this house room by room.

    Each writer has selected a room in Straeon Manor, as well as a time period for their setting. The only rule is that the story must exist completely within the confines of one room.

    In the coming week, you may read a story set in a wine cellar in 1880s, a trophy room during the Roaring Twenties, or a kitchen during the Lyndon Johnson administration. Regardless of where and when the story takes place, they all take place here, in Straeon Manor.

    And because of the special nature of these stories, we’re removing our 1,000-word limit on stories. Our writers can write as little or as much as necessary to tell their tales.

    If our experiment is a success, our writers will be revisiting Straeon Manor with new stories every few months. And when we do, there will be more surprises.

    Until next week,

    The Cafe Management

  • What’s the most blatant lie you’ve ever told?

    We chose the name “Confabulator Cafe” for our group because in one definition, confabulation is described as the spontaneous narrative of events that never happened. As writers, we are notorious for making things up, so lying is something that comes to us somewhat naturally. Many of us have told some whoppers in our day, and below you will find the most blatent lies the Confabulators have told. If you can believe them.

    Christie Holland

    I’m a writer. I make up things for a living. I don’t understand this question. What? That isn’t a good enough answer? FIne. I will quote Doctor Who then. “I think you’ll find that I’m universally recognized as a mature and responsible adult.” Yeah. That’s it. No one in their right mind would consider me to be an adult.

    Jason Arnett

    This is an interesting question. If I ever admit to the most blatant lie I’ve ever told then I will admit to being a liar. It suits me to sidestep this question and deny ever having lied in any way about anything. That, in fact, may be the biggest lie I’ve ever told. Or it may not. You’ll have to decide for yourself. I will say that lying is an essential part of being human. Every story I’ve written is a lie, in fact. None of them ever happened. Or if they did, they didn’t happen in the way I described them or the places I indicated. Or at the time I wrote it. So now you can decide for yourself if I’m a liar, or lying about not being one. Which do you think?

    Amanda Jaquays

    I don’t lie. No. Seriously. I don’t. Okay, not usually at any rate. Okay, okay, you’ve caught me. Amusingly, that isn’t even the most blatant lie I’ve told (because, come on, we all knew I was lying, right?) No, I usually lie about my productivity. As in, “I’ll get right on that!” or “I won’t procrastinate this time!” It probably says something about me that my worst lies are almost always directed at myself… either that or I just hate letting people down.

    Sara Lundberg

    Sometimes things will come out of my mouth and after I say them I think, “Jesus, that’s not even remotely true, why did I just say that? Where did that even come from?” It’s not quite a compulsion, and it’s never about anything that matters, but sometimes I am amazed by what I say to people. That being said, I think the most blatant lie that I’ve ever told, and tell repeatedly, is “yeah, I totally have this under control. I know exactly what I’m doing.” If I ever say that to you, laugh at me, because it is a boldface lie.

    Paul Swearingen

    The most blatant lie was also pretty much the last one I ever told. I was about 8. My folks had gone into town for a Farmers’ Union meeting, leaving my brother (age 5) and me in charge of the place, so we proceeded to bounce on the bed. “Craaack!” One of the side rails split, leaving the mattress and box springs tilted to one side. I tried to fib up some story about dropping a hairbrush on the bed and falling when I tried to pick it up, but of course that didn’t fly, so I got my fanny dusted. From that point, I decided that if telling lies resulted in painful endings for me, I might as well tell the truth, even if they result in painful endings, too.

    Ashley M. Poland

    I had a lying phase. I lied a lot. I am a lying liar who lies. But probably the most memorabe was the time my brother and I broke our parent’s brand new kitchen table. We were… 11 and 12, I think. They bought it as a wedding gift; it wasn’t more than two weeks old. Jeff & I discovered that if we sat on opposite ends, it balanced right out. The story varies — of course it does — but as I recall it, in a moment of horrible communication, I hopped off just as he jumped on. One foot snapped clean off. We got caught trying to use wood glue to fix it, at which point we tried to blame it on the cat and the dog. We were totally caught. I like to think I’m a slightly better liar storyteller now.

    Jack Campbell, Jr.

    I wouldn’t even know where to begin. I don’t lie in ways that hurt people, but I have never let the truth get in the way of a good story, or even a bad one for that matter. As long as you are entertained, does it really matter if I actually did what I said I did? Besides, there are many types of lying. Most people even lie to themselves. They lie when they really think they are telling the truth. At least I know when I am making stuff up.

    Kevin Wohler

    When I was dining at a secluded restaurant in Savannah, there was a guy at the next table who looked remarkably like Ted Turner. So I nudged my friend and said, “Don’t look now, but I think that’s Ted Turner.” She didn’t believe me for one second. This backfired on me, though. The following day, I saw Michael Jordan at our hotel. (Seriously, it looked just like him. And he said hi to me in that way celebrities do when they know they’ve been recognized.) But because of the Ted Turner lie, she never believed me.

  • The Why of Writing (Week Ending July 28)

    Some do it for pleasure. Others do it to make a living. I’ve heard tell that some do it alone, in the dark. There are those who are tortured by it, but do it anyway. The “it” we’re referring to, of course, is writing.

    Why do we write? Are we sharks? Are we storytellers? Are we desperate to be remembered? Maybe there’s some primal instinct at work. Or maybe the answer is simply “because.” We asked our writers why, and — not surprisingly — we received a lot of different responses. (I swear, I’ll buy everyone a round if we actually all agree on something.)

    So come on in from the summer heat. Pull up a stool beneath the ceiling fan. Have an ice-cold drink. Sit back and talk with our writers. We hope you enjoy the discussion.

    Until next week,

    The Cafe Management

  • Which author is your writing style most like? Is he/sheyour favorite?

    Writers tend to read a lot, and we can’t help but internalize that. As we write and develop our voices, a lot of times we borrow the voices of our favorite authors. Even when our own voice is fully formed, it can sometimes still hold the echo of the writing styles of the authors who have influenced us. Check out who the Confabulators think they sound like – and if it’s an author you like, then you know which Confabulator’s writing career to follow (although we do hope you’ll follow all of us)!

    Christie Holland

    There’s a website where you can enter excerpts of your work and it’ll compare it to published authors.  I was once told one of my excerpts sounded like Stephanie Meyer so I immediately screamed, deleted the entire thing, and rewrote it.  I haven’t gotten the same response since!  The site also likes to give me a different response every time I try it, (and I am so sorry I don’t remember what site it is) so I have no idea who my style is most like.  Hopefully it’s somewhere between John Green and Maggie Stiefvater, since they’re my favorite authors.

    Jason Arnett

    Huh. I haven’t really thought about this. With this current work, I’m probably a lot like Lev (The Magicians) Grossman. At least, as far as the construction of the story and some of the pacing go. He’s up among my top five writers, but he’s not the pinnacle of my favorites. That honor goes to Heinlien, who I emulated a lot early on when I started writing. That’s the sincerest form of flattery, isn’t it?

    Sara Lundberg

    I’ve worked hard over the years to develop my own style and voice in my writing, but just recently I re-read a book that used to be one my favorites from one of my all-time favorite authors, and I noticed how much my writing style is like his without even realizing it or trying. The author I speak of is Clive Barker. I have also been told that my writing is very Terry Brooks-ish, as well, which isn’t too surprising, as he has been another one of my favorites over the years.

    Jack Campbell, Jr.

    Style-wise, John Gardner (Grendel, not James Bond). Our content is different, but re-reading Grendel a short while ago, I realized that a lot of the techniques I use are similar to Gardner’s. We both use alliteration and variations on sentence patterns for effect. I have a love-hate relationship with Gardner. I have nearly all of his books, both fiction and writing instruction. I love his work. I admire his ability and vast knowledge of literary theory, but he can come off as a literary elitist, sometimes, and I wouldn’t necessarily call him my favorite writer.

    Paul Swearingen

    I’m not sure that I could say that my style is close to hers, but I do know that my choice of settings and their use in my novels is similar to those of Cynthia Voigt’s. She used the verdant Maryland Potomac shore area extensively in her Tillerman saga novels, almost as a character, and I tend to do the same in my works nominally set in SE Kansas. I’m amazed at how often authors forget that people do not live in a vacuum and neglect to include at least bits and pieces of setting, including weather, in their stories. Western writers almost always make sure that the reader can feel the dry air, the heat, sleet needling bare skin, whatever, in their novels. Urban writers are stuck with tall buildings, sticky asphalt, and trash. Who wants to read about that stuff?

    Ashely M. Poland

    Honestly, I have the bad habit of absorbing concepts/style like a sponge — so I’m wary of reading & writing at the same time. I was writing a fantasy story last month, with a slight false utopia flavor; I realized my recent read of The Hunger Games had influenced my characters and setting. Thankfully, it was a light influence, not, “Holy crap, you’re writing fan fiction again.” I know my sci-fi is heavily influence by Bujold (which I think I’ve mentioned before) and yes~ I love her writing and world-building. I’d like to be half as creative one day.

  • Writing Advice: The Good and the Bad (Week Ending July 21)

    We don’t think it’s an exaggeration to say that every writer has — at one time or another — received advice about the craft. Some advice is solicited, other advice comes from unexpected sources. And not all writing advice is good. In fact, some is downright bad. But even bad advice can be helpful in the long run.

    Our writers are always giving advice here at the Cafe, so we decided to ask them to take a break from creating their own advice. Instead, they’re going to share the best — and worst — writing advice they’ve received over the years. We hope you enjoy this week’s post and learn something.

    And remember, you can follow us on Twitter @ConfabCafe and on visit our Facebook page.

    Until next week,

    The Cafe Management

  • What actors would you cast for the characters in one of your novels/stories?

    Full disclosure: I’d say almost all writers dream of the day that one of their novels gets optioned as a movie. Sometimes writers even imagine certain actors or actresses in certain roles as they write their story. It’s fun to think about words on a page coming to life, especially if you’re the one who wrote those words. So, for all of you Hollywood producers out there, take note: these are the actors we here at the Cafe would love to see on the big screen acting out our great works.

    Jason Arnett

    Oh, boy, that’s a tough one. Lessee – I don’t really know. I’m not trying to cop out here, just thinking as I’m typing. I see Karen Gillan, probably because she’s made the biggest impression on me lately, but Lynn Collins would be fantastic, too, as the lead in a movie of my current work. For supporting actors Joseph Fiennes (maybe), Diane Lane would be great… There are some juicy roles for women in this book, I think. It’s tough because I don’t cast my characters that way. I think it gets in the way of my writing. However, if there was any interest in making my book into a movie, I’d probably mention those names.

    Kevin Wohler

    In the short story I’m currently writing, I’ve been pretty void of description of the main character. He’s dead and alone in the afterlife. So there’s not much to see of him, from his point of view. For me, it’s about the voice in the narration, since this is his story. If it were made into a movie — or an episode of some  anthology television series — I’d cast Matt Bomer from the TV show White Collar.

    Christie Holland

    Ideally, David Tennant, Matt Smith, Arthur Darvill, Benedict Cumberbatch, Martin Freeman, Andrew Scott, or Tom Hiddleston would be cast for a role in any of my stories, but I have no idea which actor would be good for which role.  I’m still focused on getting something published first.  Making a movie out of one of them is too much to think about.  It’s also really obvious what kind of television programs/movies I watch, isn’t it?

    Jack Campbell, Jr.

    I think of this every time I write a screenplay, but don’t ever think of it when I am writing fiction. It makes it difficult because I when I write a screenplay, I think of a specific actor, but when I write fiction, I think of a specific character. Fiction character become their own people. It’s hard to imagine replacing them with a real person. If I had to find someone to play my main character from Heaven’s Edge, which is my latest full-length project, I might pick Tom Sizemore.

    Ashley M. Poland

    If ever I try to tell you that I don’t literally dream of what it would be like to have someone like my novels enough to think they’d made a good movie — I am effin’ lying to you, flat out. I tend to make more name associations than anything else: I had a character named Elijah, and I forever imagine Elijah Wood because teen crushes never die. (Bonus points: my beta actually did this once, and I have never been so tickled pink.)

  • Diving into Subplots (Week Ending July 14)

    Last week the Cafe heated up (perhaps because it was so hot outside) with a debate about that old nemesis of writers everywhere: writer’s block. This week shouldn’t be as contentious, as we take the Cafe regulars into a discussion of basic writing mechanics to tackle subplots.

    We all know a good subplot to a story when we see one, but how do writers weave them in to begin with? How important are they? And what does it take to make them stand out?

    The writers here at the Cafe have put away their dueling pistols and sworn off their blood feuds long enough to discuss — in their own inimitable style — their thoughts on inserting a good sublot into a novel. We hope you enjoy the discussion, and pray it will not lead to more chaos.

    Until next time,

    The Cafe Management